艾兰（Sarah Allam） 著名汉学家。1945年出生于美国，1974年获加利福尼亚大学伯克莱分校博士学位。1972年始任教于英国伦敦大学亚非学院（SOAS），现为美国达慕思大学（Dartmouth College）“中国研究”讲座教授。主要从事甲骨文、青铜器、竹简的研究，并教授中国古代哲学文献，对先秦的文献、考古、思想和文化颇多涉猎。

艾兰（Sarah Allam） 著名汉学家。1945年出生于美国，1974年获加利福尼亚大学伯克莱分校博士学位。1972年始任教于英国伦敦大学亚非学院（SOAS），现为美国达慕思大学（Dartmouth College）“中国研究”讲座教授。主要从事甲骨文、青铜器、竹简的研究，并教授中国古代哲学文献，对先秦的文献、考古、思想和文化颇多涉猎。

艾兰（Sarah Allam） 著名汉学家。1945年出生于美国，1974年获加利福尼亚大学伯克莱分校博士学位。1972年始任教于英国伦敦大学亚非学院（SOAS），现为美国达慕思大学（Dartmouth College）“中国研究”讲座教授。主要从事甲骨文、青铜器、竹简的研究，并教授中国古代哲学文献，对先秦的文献、考古、思想和文化颇多涉猎。

艾兰（Sarah Allam） 著名汉学家。1945年出生于美国，1974年获加利福尼亚大学伯克莱分校博士学位。1972年始任教于英国伦敦大学亚非学院（SOAS），现为美国达慕思大学（Dartmouth College）“中国研究”讲座教授。主要从事甲骨文、青铜器、竹简的研究，并教授中国古代哲学文献，对先秦的文献、考古、思想和文化颇多涉猎。

Scott Curtis draws our eye to the role of scientific, medical, educational, and aesthetic observation in shaping modern spectatorship. Focusing on the nontheatrical use of motion picture technology in Germany between the 1890s and World War I, he follows researchers, teachers, and intellectuals as they negotiated the fascinating, at times fraught relationship between technology...(展开全部)

This is the first English-language monograph on the early history of maps in China, centering on those found in three tombs that date from the fourth to the second century BCE and constitute the entire known corpus of early Chinese maps (ditu). More than a millennium separates them from the next available map in the early twelfth century CE. Unlike extant studies that draw heav...(展开全部)

This is the first English-language monograph on the early history of maps in China, centering on those found in three tombs that date from the fourth to the second century BCE and constitute the entire known corpus of early Chinese maps (ditu). More than a millennium separates them from the next available map in the early twelfth century CE. Unlike extant studies that draw heav...(展开全部)

In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visua...(展开全部)

In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visua...(展开全部)

Mind and Body in Early China critiques Orientalist accounts of early China as the radical, "holistic" other. The idea that the early Chinese held the "strong" holist view, seeing no qualitative difference between mind and body, has long been contradicted by traditional archeological and qualitative textual evidence. New digital humanities methods, along with basic knowledge abo...(展开全部)