艾兰（Sarah Allam） 著名汉学家。1945年出生于美国，1974年获加利福尼亚大学伯克莱分校博士学位。1972年始任教于英国伦敦大学亚非学院（SOAS），现为美国达慕思大学（Dartmouth College）“中国研究”讲座教授。主要从事甲骨文、青铜器、竹简的研究，并教授中国古代哲学文献，对先秦的文献、考古、思想和文化颇多涉猎。

艾兰（Sarah Allam） 著名汉学家。1945年出生于美国，1974年获加利福尼亚大学伯克莱分校博士学位。1972年始任教于英国伦敦大学亚非学院（SOAS），现为美国达慕思大学（Dartmouth College）“中国研究”讲座教授。主要从事甲骨文、青铜器、竹简的研究，并教授中国古代哲学文献，对先秦的文献、考古、思想和文化颇多涉猎。

Scott Curtis draws our eye to the role of scientific, medical, educational, and aesthetic observation in shaping modern spectatorship. Focusing on the nontheatrical use of motion picture technology in Germany between the 1890s and World War I, he follows researchers, teachers, and intellectuals as they negotiated the fascinating, at times fraught relationship between technology...(展开全部)

This is the first English-language monograph on the early history of maps in China, centering on those found in three tombs that date from the fourth to the second century BCE and constitute the entire known corpus of early Chinese maps (ditu). More than a millennium separates them from the next available map in the early twelfth century CE. Unlike extant studies that draw heav...(展开全部)

This is the first English-language monograph on the early history of maps in China, centering on those found in three tombs that date from the fourth to the second century BCE and constitute the entire known corpus of early Chinese maps (ditu). More than a millennium separates them from the next available map in the early twelfth century CE. Unlike extant studies that draw heav...(展开全部)

In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visua...(展开全部)

In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states-the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visua...(展开全部)

Mind and Body in Early China critiques Orientalist accounts of early China as the radical, "holistic" other. The idea that the early Chinese held the "strong" holist view, seeing no qualitative difference between mind and body, has long been contradicted by traditional archeological and qualitative textual evidence. New digital humanities methods, along with basic knowledge abo...(展开全部)

This founding work of the history of religions, first published in English in 1954, secured the North American reputation of the Romanian emigre-scholar Mircea Eliade (1907-1986). Making reference to an astonishing number of cultures and drawing on scholarship published in no less than half a dozen European languages, Eliade's The Myth of the Eternal Return makes both intelligi...(展开全部)

米尔恰·伊利亚德（1907—1986），世界著名宗教史家，美国芝加哥大学教授。二战结束后至1955年，伊利亚德以法文形式出版了一系列宗教著作：《永恒回归的神话》《宗教思想史》《神圣的存在：比较宗教的范型》《瑜伽：不死与自由》《萨满教：古老的昏迷术》等。这系列著作几乎涵盖了20世纪所有宗教的重要研究领域，使他成为一名蜚声国际学术界的宗教史家。1956年伊利亚德到美国任芝加哥大学宗教系主任和教授等职，与同事将芝加哥神学院建设成为国际知名的宗教史研究中心。 晏可佳，上海社会科学院宗教研究所所长、研究员，上海宗教文化研究中心主任。主要译著有《祆教史》《中国天主教简史》《宗教思想史》《神圣的存在：比较宗教的范型》等。